How to vary depth of field in Spokane dog portraits
There’s this thing in dog portraits and, of course, photography in general.
It’s a catchy little word, isn’t it? You may even have seen it in that new (annoying) iPhone ad.
“You bokehed my kid? Don’t bokeh my kid.”
Truth be told, I’ve had a camera in my hand for almost four decades, finally launching my dog portraits business in Spring 2018, and I only started hearing the word six or seven years ago. A friend said, “Oooooh, nice bokeh,” and I thought, “WTF are you talking about?”
It’s a Japanese word, according to Wikipedia, and loosely translated it means “blur quality.”
It references those images you get when your subject is clear and your background is all smooth and blurry, just like the image of Bella, my Maremma sheepdog, up above.
Since I was raised in a world of newspapers and journalism, I know it to be “shallow depth of field.”
Sidebar: One editor also insisted on calling horizontals “sidey-sideys” and verticals “uppie-downies.” So if you ever catch me saying that, you know why.
“Bokeh” in dog portraits
The easiest way to achieve shallow depth of field is to use a long focal lens and a wide-open aperture.
When I want to achieve that look in dog portraits, I trot out my 70-200 lens.
That’s when I get images like Newt, a.k.a. Little Miss Thang, in a shallow depth of field:
Last fall, Erika specifically requested that I get “me and Joey all blurry in the background” with their senior boy, Edgrr the Bassett Hound.
Best name ever, am I right?
A different lens, a different perspective
To my husband’s dismay, I am a gear hoarder.
Last count, I have six lenses, each one a different tool for the job I have of getting the best images of your dog during our portrait session somewhere around Spokane and North Idaho.
Three primes (20, 35 and 50mm) and three zooms (10-24, 28-70 and 70-200).
The 50 and the 28-70 are pretty much throwaway lenses. I hardly ever use them.
The images I want to achieve are usually at either extreme of the depth of field spectrum.
In a recent session with Mocha, a 14-year-old Pomeranian mix, my favorite images are all with my 10-24mm.
I wanted to get Mocha in front of some of the gorgeous scenery we have around here. Our session started at Spokane Valley’s Mirabeau Falls and then we walked across the parkway to hang out in the woods next to Centennial Trail and at the rocks along Spokane River.
Going super wide gives me a clearer background (but still with a soft touch to make your pup the star, not the landscape).
It also lets me show a little fun distortion with your furkids. It’s perfect for telling the story about their goofier side.
And guess what? Mocha’s mama just loved those wide-angle images, so much that she ordered this in a 30×20 metal (my favorite print platform):
Check out all the fun we had in this gallery:
All around the circle
Now let’s see how depth of field works in dog portraits around the world with the pet photographers blog circle.
Start with Tracy Allard of Penny Whistle Photography, fetching portraits in Coppell and surrounding communities in the Dallas-Fort Worth metroplex.
Click the link at the bottom of each blog post to travel through the circle. When you find yourself back here, you know you’re home.
Right where you belong.
When you get back, if you want more information on doing a portrait session with your pup, click this link and go right to my contact page.
Can’t wait to hear from you!